|
|
|
|
|
|
Georges Seurat
A sondagseftermiddag pa on Allow to Magnifico Jatte
mk198
1884-86
The Type Institute perceive Chicago
USA
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Bath
mk216
Oil on canvas
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Les Poseuses
mk234
1888
39x49cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Bathers at Asnieres
mk235
1883/84
Oil on canvas
201x300cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Bather
mk235
c.1883/84
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Horses in the Seine
mk235
oil on canvas
c.1883/84
15.2x24.8cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Watering can
mk235
1883
24.4x15.5cm
Oil on canvas
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Houses at Le Raincy
mk235
c.1882
Oil on canvas
24.5x15.5cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
A Sunday Afternoon at the lle de la Grande Jatte
mk235
1885
Oil on canvas
70.9x104cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
L-ll de la Grand Jatte
mk235
1884
Oil on canvas
81.5x65.2cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Couple
mk235
1884-1886
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Angler
mk235
1884-1886
Oil on canvas
24x15cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
A Sunday Afternoon at the lle de la Grande Jatte
mk235
1884-1886
Oil on canvas
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Bec du Hoc,Grandcamp
mk235
1885
Oil on canvas
66x82.5cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
La Manneporte near Etretat
mk235
1886
Oil on canvs
81x65cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
The Lighthouse at Honfleur
mk235
1886
Oil ncanvas
66.7x81.9cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
The Harbour at Honfleur
mk235
1886
Oil onc anvas
79.5x63cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
The Honfleur
mk235
1886
Oil on canvas
53x63.5cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Seated Female Nude
mk235
c.1886/87
Oil on panel
25.4x16.2cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Georges Seurat
Model Form Behind
mk235
Oil on panel
24.5x15.5cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Georges Seurat
|
French Pointillist Painter, 1859-1891
Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting
Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism.
His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations".
Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
|
